#Congratulations! Director Hsin-Chien Huang's latest VR works, Samsara and The Starry Sand Beach, were nominated for the 78th Venice International Film Festival!
The 78th Venice International Film Festival (VIFF) announced the shortlisted nominees for the category of VR Film. Taiwanese new media artist, Distinguished Professor of NTNU, Hsin-Chien Huang, winner of the BEST VR Experience in 2017 with his work La Camera Insabbiata, will again contest for the Leone d’oro this year with two of his latest, sci-fi inspired works, Samsara and The Starry Sand Beach. While the Taiwanese athletes are striving for the Gold Medals at the Tokyo Olympics as we speak, director Hsin-Chien Huang dazzles the jury of VIFF with his visually-stunning and thought-provoking works — bringing cutting-edge Taiwanese VR films onto the international stage and letting world-wide audience sees Taiwan!
Before being selected for the 78th Venice International Film Festival, Samsara episode 1. has already grabbed the Jury Award at SXSW and Best VR Story at the Cannes XR Competition. This futuristic VR experience teleports the audience onto a journey that spans millions of years. Samsara is a Sanskrit word meaning “ the world ”. In Buddhism, it means what we perceive as the world is actually an endless cycle of karma (cause and effect), a cycle of life, death and rebirth in the six realms of existence. In this fascinating VR work, the audience is reincarnated into the bodies of different persons and creatures, experiencing the universe in their new bodies and in search for the ultimate spiritual transcendence.
Samsara depicts an apocalyptical story in the near future where human greed has depleted the earth’s resource. Catastrophic wars to fight for resource resulted in global destruction. Finally, the remaining humans had to leave the Earth and go on a search in space for a new place to live.
Nevertheless, their desperate, long quest for a new homeland… could it be just a loop in space and time? The cycle of greedy domination and total destruction that then necessitates the search for a new home…. may have hopelessly repeated itself over and over again? The constant evolutionary process and so-called progress, without transformation in consciousness and spiritual advancement, is nothing more than a Möbius strip that leads nowhere, perhaps…?
Samsara is an experiment based on the theory of Embodied Cognition. Through interactivity and VR, the audience gets to live inside the bodies of different persons and creatures, experiencing their feelings from within. Perhaps It is when we can perceive the world in different bodies that we may truly appreciate the thoughts of others and empathize with them. An experience that will also help us better comprehend our own existence and learn to live in harmony with all.
Samsara explores a complex of deeply interconnected issues of ecology, technology, natural resource and war, etc. It's a story about a journey humans are forced to take on, after having destroyed the earth with nuclear disasters. The survivors seek a new planet, in the boundless, interstellar space, to carry on their lives. Gradually they evolve into a new life form artificially. Yet, many years passed and they’ve come to realize that they would never make it to the new planet they’ve been dreaming of. In fact, they have simply been returning to the Earth, in different life forms, time after time.
Director Huang applies the concepts of embodied cognition, offering a unique way to contemplate about the nature of life. As the audience are transported into different bodies each time, they gain a brand new perspective to experience the world views presented in Samsara.
Samsara was produced under the guidance of Taiwan Creative Content Agency (TAICCA) and Kaohsiung Film Archive VR(VR FILM LAB), it’s a sate-of-the-art VR production made 100% in Taiwan. In the VR experience, viewers are transformed into various kinds of animals to interact with the scenes, including species unique and indigenous to Taiwan, such as Taiwan Blue Magpie and Formosan Black Bear.
Samsara Ep.1 features the latest somatosensory technology, including 4D views shooting techniques by the Industrial Technology Research Institute and TAICCA. A digital shooting system comprised of a high-sensitivity 4 million-pixel, full-color CCD sensor and 48 4DV-EX-Z cameras made it possible for Samsara Ep.1 to be taken from an omnidirectional view and shot without any blind spots, creating the ultimate immersive experience.
THE STARRY SAND BEACH, directed by Hsin-Chien Huang and produced in cooperation with Lucid Reality (France) and Oready 瑞意創科 Oready Innovation Lab (Taiwan), is a scientific fairy tale about a unique ecological wonder in Taiwan and Japan, the shiny starry sand beaches. Foraminifera, from the Latin word “foramen” meaning hole, is a single-celled organism that builds a shell with multiple chambers which intercommunicate with one another through holes. On the Qimei Island, Taiwan and the Yaeyama Islands, Japan, beaches have been formed by a specific species of foraminifera with star-shaped shells made of calcium carbonate. Like the real stars in the legends, grains of the starry sand have also been preserving the earth’s memories for millions of years.
THE STARRY SAND BEACH is a real-time 3D interactive VR adventure into the natural and mythological landscape of the starry sand beaches on Qimei Island in Penghu Archipelago, Xing Sha Wan in Kenting National Park and Taketomi Island in the far south of Japan. The experience is full of aesthetically-amazing elements and enriched with cultural and religious significance like Shintoism in Japan. A beautiful, haunting legend tells the story of the starry sand…
The final winners will be presented at the award ceremony held on Sep11. With great anticipation and hopes, Hsin-Chien Huang is expected to bring home again the grand prize for Taiwan!
https://www.labiennale.org/en/news/selection-complete-works-venice-vr-expanded-0
#黃心健 #HsinChienHuang
#samsara #chalkroom
#LaCameraInsabbiata
#VeniceInternationalFilmFestival #VIFF
#Thestarrysandbeach
#LucidReality
#OreadyInnovationLab
同時也有2部Youtube影片,追蹤數超過1萬的網紅Alena Murang,也在其Youtube影片中提到,GITU’AN (STARS) Written by Alena Murang and Joshua Maran Ku’ ayu’ ba’o Ibarat butiran manik Like the beads 猶如一串串的珠子 Ku’ ayu’ padey Ibarat benihan p...
「taiwan indigenous festival」的推薦目錄:
- 關於taiwan indigenous festival 在 黃心健 Hsin-Chien Huang Facebook 的精選貼文
- 關於taiwan indigenous festival 在 Focus Taiwan Facebook 的最佳貼文
- 關於taiwan indigenous festival 在 黃心健 Hsin-Chien Huang Facebook 的最讚貼文
- 關於taiwan indigenous festival 在 Alena Murang Youtube 的最佳貼文
- 關於taiwan indigenous festival 在 Crescent Lament Youtube 的精選貼文
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taiwan indigenous festival 在 Focus Taiwan Facebook 的最佳貼文
The passenger load on buses and trains around Taiwan fell to less than 20 percent Saturday, the first day of the three-day long #DragonBoatFestival weekend, after the government urged people to avoid long distance travel in the wake of an outbreak of indigenous #COVID19 cases.
https://focustaiwan.tw/society/202106120013
taiwan indigenous festival 在 黃心健 Hsin-Chien Huang Facebook 的最讚貼文
🎉🎉🎉“Samsara Ep1.” Puts Taiwan On the Map! New Media Artist Hsin-Chien Huang Wins the Top Awards of SXSW🏆🏆🏆🥳
The awards ceremony of the American international film festival, South by Southwest Film Festival (SXSW), will be held in the morning on March 20, 2021. The latest VR production created by artist Hsin-Chien Huang has taken the festival by storm and bring home the prestigious “Jury Awards” in the virtual cinema competition category. “Samsara Ep. 1” is the first VR production from Taiwan to receive such honor and has put the creativity of Taiwan on the map!
In the acceptance speech, Huang mentioned that he would like to thank the jury of SXSW for the recognition and encouragement. It was absolutely his honor to win this award. He’d also like to thank the full support from the Ministry of Culture of Taiwan 文化部, the Taiwan Creative Content Agency 文化內容策進院 Taiwan Creative Content Agency , and Kaohsiung Film Archive 高雄市電影館 VR 體感劇院 VR FILM LAB to make it possible to complete the work. Finally, he thanked all the crew members of the production for letting the world see how amazing the VR production from Taiwan.
The story background of “Samsara” is set as a timeline when humans completely destroyed the environment on earth and begin to go on a quest through space for hundreds of years. People try to immigrant to a new planet, so they redesign the DNA to adapt to a new environment and evolve into a new life form. However, after so many years, people gradually realize that it is never possible to find a new planet to settle. They merely keep returning to the original earth they have damaged in a different era, in a different life form, as an endless circle of reincarnation.
The plot involves many different social issues, including ecology, technology, natural resource, and war, and calls on viewers to reflect themselves with a profound philosophical perspective. Moreover, several concepts of embodied cognition are used in the story to make viewers transform into different animals, including Taiwan’s indigenous species, such as Taiwan Blue Magpie and Formosan Black Bear, to interact with the scenes. “Samsara Ep.1” also features the latest somatosensory technology, including the 4Dviews shooting techniques by the Industrial Technology Research Institute and Taiwan Creative Content Agency, with 48 4DV-EX-Z cameras and a digital shooting system composed of a high-sensitivity 4 million-pixel full-color CCD sensor. “Samsara Ep.1” is able to be taken from an omnidirectional view without blind spots and be shot without any blind spots to create the ultimate immersive experience.
The first SXSW was held in Austin, Texas in 1987. This long-standing international event is held around March every year ever since. The festival features various themes, such as films, music, VR/AR, art and games, etc. The SXSW is the world’s largest event for creative content. Many creators and brand owners in the fields will not miss out on the festival. Therefore, the festival has become a trial balloon, attracting hundreds of bands and film crews to participate, estimated over 400,000 people joining the event. This year, the festival has changed the event to an online form for the first time since the pandemic is raging as before. All screening events, industry matchmaking, seminars will be carried out via its own online platform, SXSW Online, without difficulty. It has made it possible for all the artists, creators, and professionals to break down the physical borders and participate in this magnificent annual event together.
There are nine productions in total nominated in the Virtual Cinema Competition category this year, with teams from the US, Canada, the UK, France, Germany, Poland, Australia, South Korea, and so on. This is the first time that “Samsara Ep.1” has competed in the international film festival and has achieved a great result with much international recognition. This is also the first time for Taiwanese production to receive an award from the SXSW competition. The full version of “Samsara” is expected to start the global tour in the second half of the year. Huang said that “Samsara” would return to Taiwan for its Asian premiere and ask the fans in Taiwan to stay tuned!
✔️SXSW website: https://www.sxsw.com/festivals/film-awards/
✔️SXSW YouTube: https://www.youtube.com/watch?v=T9G_7NZh_Oo&feature=emb_logo
#黃心健 #HsinChienHuang #輪迴 #Samsara #Virtualcinemacompetition
#Juryaward
#VR #台灣VR #TaiwanVR
#SXSWFilm #SXSW #2021SXSW #SXSWOnline
taiwan indigenous festival 在 Alena Murang Youtube 的最佳貼文
GITU’AN (STARS)
Written by Alena Murang and Joshua Maran
Ku’ ayu’ ba’o
Ibarat butiran manik
Like the beads
猶如一串串的珠子
Ku’ ayu’ padey
Ibarat benihan padi
Like the padi
猶如一片片的稻田
Tauh pupuh luun merar ma’on
Semangat moyang di dalam kita
We are our ancestors
我們是祖先的後裔
Tauh nih let luun langit
Kita adalah warga langit
We are people of the sky
我們是天空的孩子
Edto libuh kuh ra’ong
Ukiran Matahari, seakan topi sawah padi
The sun, round as a sun hat
圓圓的太陽像頂帽子
Edto nuk mey nadur peped langit lungung
Membingkai di hujung awan mendung
Skirting the edge of the cloudy sky
穿梭在團團的雲朵裡
Nadur peped langap langit temubong
Kembara lintasi jalur bulatan matahari ke arah syurga yg terbentang megah
Journeying through the circumference of the vast heavens
漫遊遼闊的天空 穿越無際的天堂
MUSIC VIDEO
Produced by Kanid Studio
Music Video by Max Jala
Appearances:
Tepu Ngalinuh Karuh
Alena Murang @ Lipang
Joshua Maran
Jonathan Wong Ketshin
Jimmy Chong
Elias Balare
With footage from:
Alena Murang
Bornaya Media
Paul Anis Pian
Tim Cole and Baobao
With thanks to:
Din Hormatov
Jez Low
Kulleh Grasi
Leon Jala
Peiti Huang
Datu Ose Murang @ Tadun Bala
Dr Ramy Bulan @ Sinah Raja Maran @ Na'em Tebpen
MUSIC
Produced and arranged by Joshua Maran @ Pepper Jam Productions
Written by Alena Murang and Joshua Maran
Mixed and Mastered by Ian Koren @ Goldensound Studios
Recording Engineers: Ian Koren and Joshua Maran
Introduction: Tepu' Ngalinuh Karuh
Sape’ and Vocals: Alena Murang
Electric Guitar: Jonathan Wong
Drums: Derrick Siow
Electric Guitar, Synths, Bass and backing vocals: Joshua Maran
With thanks to our parents/ aunties / uncle for translations and concepts:
Datu Ose Murang @ Tadun Bala
Dr Ramy Bulan @ Sinah Raja Maran @ Na'em Tebpen
Datin Garnette Ridu @ Laah Aren
With thanks to
- Dayak Cultural Foundation
- All involved into the book Tuked Rini Cosmic Traveller
Alena would also like to thank her A-Team, Lilian Chan, Emma Raja and Viona Lim
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taiwan indigenous festival 在 Crescent Lament Youtube 的精選貼文
從2007/02/28成立至今,Crescent Lament 恆月三途正式走過十個年頭。感謝一路陪伴的各個夥伴與聽眾,也感謝無數貴人的相助,我們幸運的在音樂的道路上,一直向前行。
身為台灣本土的樂團,我們想要將台灣的故事傳唱下去;在歷經2008年的兩張EP & 2011年的首張專輯 “Behind the Lethal Deceit / 末路之召”,我們逐漸摸索出明確的定位,以成為台語歌德/民謠金屬樂團為目標,並於2015年發行了第二張專輯 “花殤 / Elegy for the Blossoms”。在今年啟動的第三張專輯計畫中,我們將繼續以台灣歷史文化為主軸,唱阮台灣人的歌。
在歷經大大小小的表演後,我們在成軍的第十年 – 2016年,踏上了比利時音樂祭Metal Female Voices Fest的舞台。在這個歐洲的大舞台上,我們用台語歌唱著台灣藝妲的故事,用台灣藝妲的故事感動著不同文化的聽眾。是的,在滿場熱情的歐洲聽眾前,我們以身為台灣樂團感到無比光榮!
接下來,我們會繼續承接這個責任,繼續向前邁進。
謝謝你,一起十年。
--------------------------------------------------------------
Crescent Lament’s “10th Anniversary Documentary” is a visual review recording the most exciting moments we experienced in the past 10 years. Thanks to all friends and fans, without your support and encouragement, we wouldn’t be able to have so many beautiful memories.
As an indigenous band of Taiwan, our creations are greatly inspired by Taiwan’s history and culture, both musically and lyrically. After releasing 2 EPs in 2008 and debut album “Behind the Lethal Deceit” in 2011, we began to integrate traditional Taiwanese instruments with metal music. The result was “Elegy for the Blossoms” (2015), a conceptual album recounting the story of Taiwanese geisha in ancient Taiwan. Such a gothic/folk metal style will remain the principal theme in our future creations.
It is always a huge pleasure and honor to attend a gig or a festival. Through these domestic and foreign performances, we are deeply touched by the genuine enthusiasm from the audience. Here, we must show our immense gratitude to each organizers/staff of performance, cooperative band, photographer/videographer, and audience. Among those unforgettable performances we've attended, the Belgian festival "Metal Female Voices Fest" in October of 2016 is particularly worth mentioning. It was truly an amazing experience to play our Taiwanese-style songs on a famous European stage. We saw joy on people's faces, and were deeply flattered by their passions. It was a memorable milestone to celebrate the 10th year of Crescent Lament. Many thanks to Helcanen Val and everyone of MFVF to create this beautiful memory with us!
The journey of Crescent Lament will be continued.
Thank you all for being with us for these 10 years.
—【十周年全記錄】影音製作 / Making of this documentary —
★ 影像 / Video
- 腳本 / Scenario:周慕姿 Muer Chou
- 素材挑選 / Footage selection:許至維 Wick Hsu
- 影片剪輯 / Film editing:邱振華 Wat Chiu
- 英文翻譯 / English translation:周岳弘 Komet Chou
*特別感謝下列攝影師提供素材 / Special thanks to the photographers who providing the footage:Bongsoo Lee, Brian Chen, Ekim Lu, Hendrik Schroeder, Juergen Bardong, Kunio Huang, Lily Hsu, Nathan Lin, Rudi Marina Wauters, Rainer Kerber, Ton van Moll, 林布朗, 林峻, 吳旭曜(氫酸鉀), 周承翰, 周劭儒, 侯政宏 Horace Hou, 陳采瑩, 陳沐新
★ 音樂 / Audio
1.「煙花易寒」演奏版 / Once Blossomy (instrumental)
- 作曲 / Music:周岳弘 Komet Chou
- 編曲 / Arrangement :周岳弘 Komet Chou & Jedi Yeh
- 客座演出 / Guest appearance:楊子儀
2.「十年一瞬」/ 10th
- 作曲 / Music:周岳弘 Komet Chou
- 編曲 / Arrangement:恆月三途Crescent Lament
- 錄音 / Recording:邱振華 Wat Chiu & Jedi Yeh
- 混音 / Editing & Mixing:Jedi Yeh
追蹤我們的最新消息 / Stay up to date on Crescent Lament
Facebook - https://www.facebook.com/crescentlament
Website - http://crescentlament.site44.com/
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